oil painting of Jesus Christ as an androgynous person with long hair, smiling at the viewer while holding up his hand to make a ‘poko’ sign with three fingers against a dark background with chiaroscuro lighting, in the style of Leonardo da Vinci –ar 43:56 –v 6

In the intricate and captivating oil painting depiction, Jesus Christ is curated to embody aspects traditionally associated with both masculine and feminine characteristics, enhancing a sense of ambiguity toward gender identification by suggesting an androgynous appearance that challenges conventional societal norms. The artist has intricately realized the image with fluid, long hair encompassing an ideal of gracefulness coupled with a subtle yet serene smile, aimed directly towards the viewer, extending an ethereal invitation for contemplation and connection with his mystical presence. Simultaneously, the gesture of his hand gracefully lifted, illustrating a unique symbol known as the poko sign with three extended fingers, invokes intrigue and purpose within the viewer, encouraging an exploration of its deeper meanings embedded within its historical or cultural significance. Positioned against a backdrop of intense darkness contrasted by the artist’s meticulous application of chiaroscuro lighting techniques, the radiant figure of Jesus Christ created ambiguity in melding light and shadow, translating into a visual spectacle that exudes depth and intensity in its portrayal, reminiscent of the masterful methods characteristic of the iconic style cultivated by Leonardo da Vinci. Through deliberate craftsmanship and attention bestowed upon details such as these nuanced elements of composition, the painting invites audiences to immerse themselves within a captivating realm of spirituality and introspection, fostering layers of meanings and interpretations while successfully reimagining a timeless symbol within the realm of classical art within the unique lens of the contemporary significance stirred by innovative fusion of influences and visual languages.